| For decades, the “Italian style†has been circulated for its fine design and image. In the field of decoration, after the baptism and test of the Second World War, the Italian design concept has re-emerged in the world and occupied a dominant position. In fact, as early as 1946, some young designers who had just graduated or graduated from professional design colleges had the opportunity to “debut†on the world stage. After World War II, in the context of rebuilding homes, people tried to build new homes and satisfied the needs of people with new concept furniture, so that traditional craftsmen began to transform into small and medium-sized industrial enterprises, which formed a The highly promising industry army has become an indispensable part of the “Italian styleâ€, especially in the home environment to create a ground-breaking design style. In terms of furniture, Italian furniture is built with its long history. In ancient Roman houses, Pompeii and Egrano villas, people can find their historical origins, including the fifteenth century Florence and the Renaissance Masterpiece of the period. After the middle of the 18th century, with the beginning of modernism and the Enlightenment, Italy was deeply influenced by France and Britain. Some great wood craftsmen stood out, among them the famous character Marjorini, who used different wood to create The style of inlaid furniture reinforces the traditional style. In the face of the first generation of Italian designers, almost all of them faced the problem of traditional and modern. Although they worked in small workshops, they did not intend to break the original appearance of furniture, and they did not want to deviate too much from tradition. The chair designed at that time was still a chair, and there was no need to look for weird styles. However, some outstanding pioneers were “backward†in order to continue the discussion of tables, sofas, cabinets and other furniture. In the mid-1950s, Joe Pundy, a neoclassical craftsman before the war, designed and developed an ultra-lightweight chair that produced a design-based methodology. Inspired by a handcrafted chair from the Kaia Warri region in the early 19th century, he improved the part of the leg and removed the extra wood that destroyed the overall structure. The new chair was designed according to the original style. It was later recognized as a masterpiece of Italian style. At the same time, the technological advancement in the field of decoration and the emergence of new materials determine the evolution of Italian design style, and let designers and emerging entrepreneurs know that without having to use all human and material resources to produce a cumbersome product, it should The use of new technologies and materials to achieve the so-called "soft and elegant" furniture. For example, in the mid-1930s, Pirelli introduced a synthetic rubber named "Feather Rubber" (this rubber was tested in 1950 by Marco Zanuzo as a sofa cushion). In addition to the use of new materials, the innovations brought by Marco Znuzzo have made the sofa chair disassembled into a seat back, seat, side armrests, etc. The idea of ​​free installation is a reality. The furniture changed the old process of weaving the litter on the wooden loom. In addition, in the period of the experiment of Marco Znunu, in 1951, LArflex, a company that produced sofas and sofas, was born in Milan. The company opened a new path for the selection and experiment of filling litter and accepted it. Many designers and related companies offer a variety of design options, including Mario Bellini, Antonio Citterio, Cassina and B&B Italia. A similar example is that in 1949, a company called Kartell was established. It was a company that used plastic materials as raw materials to produce civilian furniture. Later, the company gradually turned to plastic lighting and other furnishings, and completed Joe Colombo. The work of designers such as Vico Magistretti, Anna Ferrieri, and Castelli is now a prestigious trademark. Kartell is not only popular in the global market for its furniture and furniture accessories, but also famous in the world's major museums. After the 1950s, in order to introduce new furniture, the use of new methods and technological innovations in design has become an inevitable trend, and people are also changing the original concept of "clothing, food, housing, and travel." Just like the popular glued wood furniture, many companies have been structurally adjusted to develop such styles. This is the case with Ratti Di Monza, which continues to use new equipment and new technology in plywood furniture and provides furniture accessories with curved curves for other manufacturers. In the processing of semi-finished wood products, there were many manufacturers specializing in the production of furniture fittings in Italy, such as the medium-density panels produced by Fantoni, which were able to produce more lightweight furniture products. In addition, many companies of all sizes and types use CNC machines for machining to achieve more precise machining results. In the early 1970s, major Italian manufacturers continued to experiment with plastic materials with development value and paints applied to wood and steel surfaces. Among them, Joe Colombo designers used ergonomic principles to pursue different design styles. The Castiglioni brothers have different design methods. The furniture and lighting they designed remove the complicated and redundant parts and reflect the essence of “realityâ€. It is worth mentioning that the large-scale exhibition of the Museum of Modern Art in New York in 1972 pushed Italian design to the stage of the world. The exhibition titled “Italian Dates and a New Home Scenery†has an extraordinary historical significance. The commentary has given architects and designers an amazing path, and the secret of success is the concept of “Italian design†that is constantly being tested. In the 1980s, Italian furniture interpreted new design concepts and attracted wide attention from the world. Among them, the partners represented by Ettore Sottsass and Atelier Mendini created a design pattern with no unified positioning and multiple popular trends. At the time, the tests and processes often reflected the design characteristics of the furniture by using different materials, especially those unusual materials. For example, Fiam, which specializes in glass furniture, has not only glass cupboards and small tables, but also dining tables, bookcases and sofas with curved curves. In the next few decades, some of the furniture was processed with marble and stone from the Carrara area, along with advanced processes and equipment. In metal processing, it has been respected by rationalists since the 1930s. For example, when people use chromium as a protective material on steel, it has caused a series of ecological problems. In the processing of aluminum alloys, people turned their attention to paint. At the time, a chair called "Tonietta" designed by Enzo Mari was made of aluminum alloy die-casting. The back and the seat were all made of genuine leather. From the aesthetic point of view, it reflects the traditional classical style. It was used as a replica of a typical chair in the late 18th century. “We are trying to explain the spatial significance of housing, and decorating homes according to the design of furniture and lighting, which means finding similarities of interest between these items, although there is no fixed rule in this area. All that is needed is an interpretation of creativity. Jujube is the essence of Italian furniture design and decoration. | |
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