â— Cao Xueqin applied landscape art to garden art design
When it comes to the fate of landscape art and garden art, one cannot fail to mention "Dream of Red Mansions," one of China's four masterpieces. The Grand View Garden in Cao Xueqin's dream has focused on the essence of landscape art in the time of garden art. The charm of Chinese landscape art, in Cao Xueqin's pens, leaps into an exquisite "virtual fantasy". The "Dream of Red Mansions" that was mournful and bleak, all in one scene, and out, were all in the Grand View Garden. The Grand View Garden is a model for Cao Xueqin's use of landscape art in gardens. Here we will give a brief overview of the Grand View Garden from an artistic design perspective.
Original: Jia Zhengdao: "It is a difficult task for this couplet to be counted on. It's a big picture, a few pavilions, no title, and it feels degraded and boring. You have no choice but to spend time on the landscape."
Appreciation and Analysis: "Large views, a number of pavilions, no title, but also feel depraved, boring, and there are flowers and landscapes, but also can not be broken." The finishing touch, in a word, reveals the true meaning of garden art. If there is no cultural charm, the garden can only be counted as the wilderness of the mountains, and it is by no means the garden art. The inscriptions, poems, couplets, etc. in the garden are the most important ones. The most important thing is that the words are sent to the scenery, the scenery is reflected in the artistic conception, the scenes are blended, and one is indispensable. If less, it is not called garden art. "Combining scenery with nature" is the essence of the garden's rhetoric; "sincerely speaking sex" is the purpose of garden art. Garden inscriptions can make the garden brilliance, but also can make the garden obliterate. If you want to blend scenes, you must combine scenery and humanistic spirit. That scene is the art of landscape, and that is the humanistic spirit.
The original: Jia Zhengxian Bing is watching the door, I saw the main entrance of the five ... ... and no Zhufen finishes ... ... it does not fall in splendid sets of common sense ... I saw the face of the area along the Cui Wei block in the front ... ... Jia Zheng said: "This is not a mountain, come in "What's the interest of all the sights in the garden?" said, look forward... The top of the moss is spotted, and the vines are hidden. Dolcn.com
Appreciation and Analysis: "There is no Zhufen finishes, and it doesn't fall into the glamorous style." The grandeur has a vulgar sense, and the garden art is the most talked about the "spiritual spirit in the elegant" of the landscape art. "Cui Xie facing the face" is also a straightforward technique in the art of gardening. At a glance, there is no artistic interest. There are thousands of temples in the chest of the gardeners, and the viewers have a touch of style in their minds. Both of these are essential to appreciate the garden art. "Shady greenery and trails of dews" is the magical use of winding streets and rivers. It has a great artistic conception of "walking to the poor, sitting and watching the clouds." The famous poet and painter of the Tang Dynasty, Wang Wei, had a career in Qichuan, a collection of “Sichuan Rivers,†and “Lianchuan map.†A mountain of clouds and clouds, a faintly slovenly and wiping cloud, and a fluctuating fancier, one. The singing of the fishery was not sculpted at night, but it attracted poets, painters, and designers from later generations.
Original: Looking up suddenly, there is a mirror of white stone on the mountain. It is where the heading stays at the question... Bao Yu said: "The taste of the ancients was like a cloud: the new words are better than the old ones. The original view has nowhere to be considered, but it is a progressing exploration of the scene. Moruozhi's “sounds and whimsical places†are old poems, and they are generous.â€
Appreciation and analysis: "The new edition is better than the old one, and the ancient and the last is better than the present." It is indeed a far-sighted way to express the connotation of garden art. "Exploration" is also an indispensable and overused pen of garden art. Wang Bo Deng Tengwang Pavilion, singing "falling clouds and solitary flocking together, Qiushui total long sky color", think of "Feng Tang Yi old, Li Guangnan Feng, Qu Jiayi in Changsha"; Fan Zhongyan Lin Yueyang floor, at a glance" title mountain, swallow The Yangtze River is a mighty and boundless place, and there are no boundaries. The Zhaohui yin and the yin and the weather are still thousands of miles away. The yelling is still the "worry and worries of the world before, and the pleasures and pleasures of the world afterwards." For example, Ling Wan is a stunned person, "back to the embarrassment of the" Dajiang East, Lang Tao to make people through the ages." This is the charm of landscape art.
The original: Into the cave, I saw good green wood, verdant, full of clear flow, from the depths of flowers and trees in the gap under the diarrhea. Then a few more steps, gradually to the side, flat wide exclusion, both sides of the Feilou inserted into the empty, embroidered ç” embroidered 槛, are hidden between the tops of the mountain trees. Observe it and look at it, but see the Qingxi Diaoyu, the stone sarcophagus through the clouds, the white stone is the column, surrounded by pond marshes, Shiqiao three ports, animal face vomit. There are pavilions on the bridge. Jia Zheng laughed and said: "According to my talent, Ouyang Gong sentence: `gushing between the two peaks, actually use him as a diarrhea word." ... Bao Yu said: "useful `diarrhea jade` words, then Moru `æ² ` ` 二 二 二 二 二 二 二 岂 岂 岂 岂 " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " ".
Appreciation and Analysis: The words used by Ouyang Xiu on that day can be said to be wonderful. Today's ancient account is far-fetched. That is what the ancients called "bundling is not a couple." The situation shifts, and with celebrity classics and stories, students should also be alive and use it. When they respond to the body of the system, they require the artistic design of the garden to be different according to the changes of the space-time environment. "Ye Xie" is released, and "Xiang" is collected. The word "Yi Fang" gives people endless thoughts, graces, beauty, pleasing pleasures, and good things. On the Fengyuqiao Pavilion, a pair of “Take three emeralds around the embankment, and a gentle incense on the other side of the bank flower†hangs on the pavilion. It expresses the deep meanings surrounding the thousands of views and the words “æ²èŠ³â€.
Original: In front of the powdered earthworms, there are thousands of bamboos and shades. I saw the entry is the winding corridor, steps under the stone into a road. Above the small two or three houses ... from the inside room and got a small door, go out is the backyard, there is a large pear, broadleaf banana ... ... under the backyard wall suddenly open a gap, a spring school, ditch only Ruler Xu, pours into the wall, circling the rim house to the front yard, whirls the bamboo out... One way is the "Kishi remnants" and the other is "the beautiful scenery of Gion"...Bao Yudao: "This is too banish Mo Ruo's "Fenglaiyi" four-character." Baoyu also made a joint: Baoding tea leisure smoke is still green, but the window can stop still cool.
Appreciation: This first spot has been re-visited from the design: there is a pink rice bowl, a number of pots and bamboos, and hundreds of bamboos in the front; behind it are large pears, broad-leaved bananas, and a spring water. The edge of the house, circled under the bamboo out. Together with the sumptuous words and repugnant words, Zhennai is a man of nature.
The original: Jia Zhen replied: "The stuff that has already been added has already been added a lot, and the natural arrangements for the advent of the period ... when the project was originally drawn, the drawings were made everywhere, and the dimensions were ......"
Appreciation: Indoor furniture supplies, but also in the number of gardens in the eye, must be considered in the design, in order to play a harmonious decorative art effect. This is an artificial carving of landscape art, but it is indispensable in garden art, both functional and artistic.
Original: The yellow wall was hidden in the low wall and the walls were covered with rice stems. There are several hundred apricot flowers, such as steaming steaming haze. There are a number of huts, but outside it is mulberry, halberd, oyster, oyster, a variety of young trees, with its twists and turns, compiled on the two rolling green hedge. Under the hillside outside the fence, there is a manhole, next to the genus of oranges. The following sub-columns are planted with acres of flowers and vegetables are blooming. The party wants to enter the fence, and suddenly there is a stone kerb on the roadside. The preparation... Bao Yu said: "The old poetry has clouds: `Red apricot shooter hangs the wine flag. Nowadays Moru's apricot curtain is looking at the four words... There is also an ancient poem: `Chaimen's Advent Flowering Rice`, why not use Daoxiang Village? `Miao?
Appreciation: This "Daoxiang Village" design has also exhausted the pastoral scenery, suddenly deep in the past, Tao Yuanming's pastoral poetry leisurely - but more than ten acres of cottages, eighty-nine cottage. After the Yin Liu Yin Yin, Tao Li Luo Tang. Warm far away village, smoke in Yiyi market. In the deep lane of the shit, chickens sang mulberry trees. The household is clean and dusty and there is spare space in the virtual room.
Original: Bao Yu said: "How come! This disposal of a grange, clearly seen from the human chiseling and tweaking. There is no neighboring village, near no Guo, back hill and no pulse, the water is passive, the tower of Gaowu Temple There is no bridge leading to the city, but it seems that it is a non-big view, but it is like a non-big view.The contend that there is a natural reason and a natural atmosphere, and that even though it is a kind of bamboo, it does not hurt to wear a chisel. It is not in its place but strong in the ground, not in its mountains but strong in the mountains.
Appreciation: Cao Xueqin used a "natural picture" here. The so-called "natural picture" is the art of landscape. It explains all the causes of garden art. Anything that is barely conceived and decorated is not an art, but it must be It is annoying to get a picture of a tiger who is not an anti-class dog."
The original: I saw the above five reclaimed buildings connected to the sheds, four sides of the corridor, the green window oil wall, more elegant and different than the first few places... Bao Yu said: The word couplet is: When the pods are brewed, they are only beautiful, and they have a good night's sleep.
Appreciation: From the ancient poetry and books to find the artistic conception of garden art, it must be done properly. If it is appropriate, it will be unconventional. It should not be an ancient person, ridiculing future generations. It is also like today's comment that certain work is “wearing western clothes. The cap is the same.
The original: ...... Baoyu said: "Here, the banana plants are two plants, and their meanings contain dark words, red, green, and so on. If you say only bananas, there is no landfall. If you say only wolfberry, the bananas will not fall. There is no need for the indigenous bananas, but there is no need to have bananas. "..." Again: "In accordance with me, the question "Hongxianglvyu" should be the best of both worlds."
Appreciation: The setting is in the poor roots, and the view is appropriate. Otherwise, all the good poems are in vain.
The original: Yuan Zhen is the life of the pen and the halberd to wait on the name of the park's name and the "Grand View Garden"... The first question is a cloud: "Huanshan Hushui builds fine, how much time will be built into! The heaven and earth human view, Fang Yuan Ying Xi’s "Grand View."
Appreciation: To this end, the Grand View Garden was all completed, Cao Xueqin finally used ten poems (limited by space, here is no longer talk about the mood of poetry) to sort out and summarize, Da Guan Yuan really became a fine art of garden design. These ten poems are not general scenes, but are generalizations of the overall design of the Grand View Garden. Only from the names of the ten poems, that is, the flats or names of the attractions, we can appreciate the grandeur of the Grand View Garden: savory, literary and cultural, literary creation, Vientiane Zhenghui, and Nguyen Hui Zhong Rui. The world’s Xianyuan, Fenglai Lai, Yan Qingfen, Yihong Fast Green, and the apricot curtain are all in sight. The beauty of landscape art has the spirit of the humanistic spirit, poetic and artistic, and radiant brilliance. There are landscapes that excel at nature, landscapes of thousands of styles, heaven and earth, and remoteness. This is a model of gardening art.
Cao Xueqin has a profound literary foundation and also has the same "Shi Quan's aspirations" as the scholar-bureaucrat. Naturally, he designs a garden art combining landscape art with humanistic spirit. His literary cultivation pushes garden art to the extreme, and garden art also polishes Cao Xueqin's literary cultivation. Such a perfect combination of writers, artists and designers is really rare in ancient and modern times.
The reason why landscape art can activate modern design lies in the word "art". There is art, not only natural scenery, but also the humanistic spirit and the materialization of human emotions. If there is no art, landscapes are dead stones, no spirituality, no vitality. China’s Confucianism, Taoism, and Buddhism, and Confucianism occupies the top of the temple, from top to bottom, has always been the representative of the orthodox ideology of the ruling class; Taoism and Buddhism are far away from the mountains, affecting all living beings and affecting The ruling class. Both the Tao and the Buddha spread over the mountains and rivers and occupied Qingshan Xiushui, making it possible for imperial officials, nobles, and benevolent people thousands of miles away to pay tribute. The fundamental reason lies in the word “artâ€. Therefore, landscape art is a mixture of natural scenery and humanistic spirit. Without natural scenery, it cannot be called landscape; without humanistic spirit, it cannot be called art. This is the broad meaning of landscape art, and it is also the reason why we obtain the spirituality of artistic creation.
Chinese landscape art is a poem written between mountains and rivers. It is a song sung by the shepherd's fisherman. It lingers in the mountain light, the water color, and the shadow of trees. It lingers in clouds, fog, and smoke locks. It walks through wind, rain, and the sky. It has the souls of Li Lan and Zhuang Zhou, as well as the charms of Tao Qian and Li Bai; there are natural talents and humanistic poetic paintings. Therefore, once the landscape painting was unfolded, the ancients, together with their poetry and poetry, and chest and middlings, were splashed into the picture scroll. Therefore, the spirit of the landscape and the spirit of the sages could be attained between the sizes. At this time, we will also be able to find design inspiration.
Source: PACK.CN